(Metellus, "Androcles and the Lion")
I have been performing on stage in one form or another since elementary
school. Since college, I have been involved in a handful of South Florida
productions, including Picnic (Alan Seymour), Tallu (stage manager), Bedroom
Farce (Nick), Dark of the Moon (Uncle Smelicue), and Romeo and Juliet
(Abram). Androcles and the Lion marks my first visit to the North Carolina
stage.
Although acting is a favorite hobby, it often gets pushed to the back burner
due to professional obligations. I have completed my first year of study
toward a Ph.D. in Journalism and Mass Communication at UNC-CH. I'm lucky that my reduced course work during the summer (only two statistics classes -- some break) has provided a small window of opportunity to get involved.
Beyond school, I stay busy as a freelance writer. I am a Contributing Editor
with Television Broadcast magazine and the Educational Television Field
Editor for Government Video magazine. I usually publish two or three features
between these magazines monthly. In addition, I am involved in a number of
projects with The SilverKnight Group, a PR agency based out of New York City.
Plus, I recently published my first book, The Guide To Digital Television,
2nd Edition, co-edited by Michael Silbergleid.
Before I cooked up this crazy back-to-school scheme, I had worked as a television station program manager, university editor, magazine managing editor, and college instructor.
Theatre is great fun, but it requires a great deal of work and dedication. I
recommend it highly for individuals who enjoy expressing themselves
artistically and are willing to devote the necessary effort. (For those few
individuals who think talent can serve as a replacement for professionalism,
I recommend a life of solitary performances in front of a mirror -- less bad
feelings and wasted time all around.)
I have been honored to work with many
gifted performers who taught me more every time the curtain opened than any
textbook ever could. I expect this experience to be no less enriching, and
look forward to a continued association with the Anti-Shakespeare Festival.
June 8, 1999
|